In fact, for YEARS I thought it was about the stupidest tool (other than the knife tool, what the crap is that even for!?!?!) and never touched it because it didn't do what I wanted it to. If you don't have someone to show you, or at least tell you a couple of things about the PT, it is just not very user friendly. ![]() Anyway Robert, will you quit babbling on about why making a good selection is the best and just give some dang tips on the freakin PT already!?!) It's Not Very Intuitive. well clearly nothing will happen because I just typed it, but let's just say PT. I have a strong feeling I'm going to be saying it more and if I have to type "pen tool" one more time. (Side note: Let's start saying "PT" instead of "pen tool" from here on out. This maneuver isn't for everyone, but it's definitely for me (.and probably you.) Once you start taking the time to make your selections first thing, you'll realize how very many times it comes in handy throughout the rest of your edit and just makes life easier. HUZZAH!" Well shut your damn mouth you hypothetical-corner-cutter-person, because no matter what you bet your ass I'm selecting my subject. (Her name is Rowan and she is the bee's knees.) When I do a studio composite I obviously HAVE to select the person to slap them into a new location. However, for an image like this one shot on location, most people would think, "Ok cool, I don't have to clip them out at all because they are already there. (Please note the moody group of badasses in the image below they were the magical participants of said glorious meet up.) Unlike many of my images that are shot on a solid background and composited later, my subject was actually in the scene crawling out from under a fallen tree. I shot this image at a wonderful meet-up held by the star of my recent image, Aleah Michele.
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